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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id">11</journal-id>
      <journal-title-group>
        <journal-title>现代教育论坛</journal-title>
      </journal-title-group>
      <issn>ISSN:3081-0868</issn>
      <publisher>
        <publisher-name>华文科学出版社（HUAWEN SCIENCE PRESS）</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">10.12421/xdjylt20231001080011</article-id>
      <article-id pub-id-type="publisher-id">274</article-id>
      <title-group>
        <article-title>多模态隐喻与转喻的认知建构与互动</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>杨洋1 杨秋萍2 谢俊3 杨琳琳4（广西民族师范学院外国语学院 广西崇左 532200）</string-name>
        </contrib>
      </contrib-group>
      <pub-date pub-type="epub">
        <year>2023</year>
        <month>17</month>
      </pub-date>
      <issue>17</issue>
      <abstract>
        <p>摘 要：多模态隐喻和转喻普遍存在于各种模态中，从多模态隐喻和转喻视角，以 CCTV-9 左江花山岩画宣传片为例，
探讨多模态语篇隐喻和转喻意义构建和互动模式。研究表明：左江花山岩画包括三大转喻和两大隐喻类型：特征代实体；个
体代整体；次事件代复杂事件；方位隐喻；实体隐喻。隐喻与转喻互动模式为不同转喻类型构建隐喻的源域。</p>
      </abstract>
    </article-meta>
  </front>
</article>
