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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id">21</journal-id>
      <journal-title-group>
        <journal-title>《教育教学研究》</journal-title>
        <abbrev-journal-title>Education and Teaching Research</abbrev-journal-title>
      </journal-title-group>
      <issn>ISSN:2737-4130：EISSN:2705-1277</issn>
      <publisher>
        <publisher-name>环宇科学出版社</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">10.12361/2705-1277-07-07-160320</article-id>
      <article-id pub-id-type="publisher-id">17765</article-id>
      <title-group>
        <article-title>浅析声乐演唱中对立统一的“四位一体”辩证关系</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>张广芳</string-name>
        </contrib>
        <contrib contrib-type="author">
          <string-name>韩大童 （泰山学院 山东泰安 271000）</string-name>
        </contrib>
      </contrib-group>
      <pub-date pub-type="epub">
        <year>2025</year>
        <month>7</month>
      </pub-date>
      <issue>7</issue>
      <abstract>
        <p>声乐演唱作为一门综合表演艺术，其内在的辩证统一关系构成了艺术表现的科学基础。本文以唯物辩证法为指导,从呼吸、发声、共鸣、咬字吐字四个核心维度出发，系统探析了声乐演唱过程中各要素间既对立又统一“四位一体”的辩证关系。</p>
      </abstract>
    </article-meta>
  </front>
</article>
